Hands-On: Hermès Arceau Space Derby

Sci-fi pop art.

Unveiled last year as part of Hermes’ annual collection of metiers d’art watches, the Arceau Space Derby is typical Hermes with its equestrian motif, but also strikingly different since the dial depicts a jockey riding a robot horse past planets and stars.

The Space Derby is actually a pair of watches, a smaller one for ladies with the dial in pink opaline glass, and a larger model for men with an aventurine glass dial that is detailed below. But both have a similar motif on the dial that was taken from an Hermes scarf designed by French filmmaker and cartoonist Ugo Bienvenu.

The larger, 41 mm Space Derby

Initial thoughts

Hermes adapts many of its most famous scarves for metiers d’art watches. Most of the resulting dials are whimsical and subtle in a manner typical of the brand.

And Hermes does more of such watches, both in terms of range as well as number, than its immediate rivals Louis Vuitton and Chanel. The diversity of its offerings with artisanal dials is impressive in both style and technique – though horses, big cats, and birds are recurring themes – but even so the Space Derby is unique.

While the theme of the Space Derby is still equestrian, it is has a pop art aspect that sets it apart from the usual metiers d’art fare from Hermes. So it’s still recognisably an Hermes watches, but a bit more funky and very much different.

But the Space Derby is more than just a fancy dial. As is increasingly the case with fashion and leather goods brands, it is equipped with a respectable movement, thanks to Hermes’ quarter stake in Vaucher Manufacture, the movement maker that’s a sister company of Parmigiani.

No doubt because Hermes is a shareholder, Vaucher customises the calibres significantly, with the repeating “H” pattern stamped on both the bridges and rotor. While such a motif can be too much on clothing or bags, it is a discreet feature on a watch, since it’s only visible on the back.

It’s a refreshing change from the usual striping, and appropriate since a watch like the Space Derby is all about the art on the dial and not the movement.

The H1837 made by Vaucher

And another point of appeal is the price. It’s a hefty US$65,000 or so, but that’s more affordable than its enamel counterparts. That’s because the miniature painting on the dial is rendered in acrylic paint instead of fired enamel. A watch with a miniature enamel dial would be twice as much.

Comic art

According to Hermes, the designer Mr Bienvenu was inspired by mid-20th century American comics. The Space Derby scarf he designed depicts six jockeys racing across the stars.

The pair of Space Derby watches each reproduces a section of the scarf: the ladies’ watch bears the female jockey in the foreground, while the men’s watch depicts the male jockey just behind.

The Space Derby Scarf 90. Image – Hermes

Mr Bienvenu’s illustration for the scarf captures vintage comics in both style and colour. Like the scarf, the Space Derby watch is available in several colour combinations, although the ladies’ model is predominantly in pastel shades of pink and blue, while men’s version is done in darker colours.

While Hermes relies on a range of techniques for dial decoration, including wood marquetry and cloisonné enamel, the Space Derby features a hand-painted miniature in acrylic paint.

The base of the dial is aventurine glass, a type of glass with tiny metallic inclusions that give it a sparkly appearance. As a result, it’s the go-to material for evoking deep space or a night sky on a watch dial.

On the aventurine glass is the miniature painting done by Isabelle Villa, presumably an independent craftswomen like so many of the artisans who make dials for Hermes. According to the brand, the dial painting requires 40 hours of work – applying acrylic pain with a tiny brush and microscope and then baking in an oven to set the paint.

The Hermes logo is printed on the underside of the crystal, leaving the entire dial as a canvas for the painting

Despite the minute scale of the painting, the detail is impressive on both the jockey and horse. More notably, the brushstrokes of the painting evoke comic book drawings, which attest to Ms Villa’s ability to capture the feel of retro comics. And just as importantly, she also manages to create a metallic-looking appearance for the robot horse.

The space jockey’s head is small than the boss for the minute hand

The simulated reflections and shadows on the horse give it a metallic appearance


Perhaps the most distinctive classical design of Hermes, the Arceau is one of the brand’s longest-lived case styles. Inspired by a stirrup – explaining the asymmetrical lugs – the Arceau was designed in 1978 by Henri d’Origny, a veteran designer whose career at Hermes has spanned decades (and several watches, including the Cape Cod). It’s a simple circular form, but made interesting with the large, arched lugs on the top that contrast against the tiny, stubby lugs below.

The case is 18k white gold and a largish 41 mm in diameter. While the case is not oversized, it feels thicker than it actually is, which is often the case for the Arceau, likely due to the tall, convex bezel.

That effect isn’t too pronounced on the Space Derby since it is relatively thin, but on complicated Arceau models the case height feels substantial. The Arceau L’Heure De La Lune, for instance, is almost 14 mm high but feels even thicker.

The clasp is obviously Hermes in design, while the straps are clearly Hermes in terms of quality

Vaucher powered

The H1837 inside is based on the Vaucher VMF 3002, a relatively thin movement with a full rotor (unlike Vaucher’s micro-rotor movement that is even slimmer).

It’s comparable to the ETA 2892 in thickness and width, but the H1837 is certainly more refined. Amongst its more obvious refinements is the free-sprung balance.

The balance has four arms, each with a regulating weight

Ideal for the watch, the decoration is visually attractive. It is clearly industrial in nature, but it is more interesting than striping or perlage, which would also be applied by machine in comparable movements.

Naturally, finishing that is artisanal would be superior, but that is not feasible considering the price, which is largely down to the dial, as is usually the case with metiers d’art watches.

The bridges and rotor are stamped with the alternating “H” pattern

The bridges have stamped bevelling and countersinks

Concluding thoughts

Quirky yet elegant, the Space Derby encapsulates the house style of Hermes. It is appealing for what is it – a miniature painting that happens to tell the time.

Key Facts and Price

Hermes Arceau Space Derby
Ref. 056007WW00

Diameter: 41 mm
Height: Unavailable
Material: White gold
Crystal: Sapphire
Water-resistance: 30 m

Dial: Aventurine glass with miniature painting

Movement: H1837
Functions: Hours and minutes; additional moon phase for 38 mm model
Frequency: 28,800 beats per hour (4 Hz)
Winding: Automatic
Power reserve: 50 hours

Strap: Alligator with folding clasp

Limited edition: 12 pieces
Availability: At Hermès boutiques
Price: Estimated to be CHF62,700; price to be confirmed at delivery

For more, visit Hermes.com.


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Exhibition: Early Lange Wristwatches at Phillips Perpetual in London

Lange 1, Datograph, and more from March 9-14.

The watch boutique arm of auctioneer Phillips, London-based Perpetual is staging an exhibition of early A. Lange & Söhne wristwatches in its Berkeley Square showroom for a week starting March 9, 2022.

Made in Germany, a Tribute to the Early Lange 1 and Datograph comprises 20 examples of Lange’s best-known watches from the late 1990s to the early 2000s, including limited editions that rarely emerge publicly, making it an great opportunity for the brand’s enthusiasts to see special watches and even “grails” in the metal, like the extravagant Lange 1A.

Pillars of the brand

Arguably the most important Lange models, at least in the brand’s first two decades, are the Lange 1 and Datograph. Both were seminal when they each made their debuts in 1994 and 1999 respectively, helping to put the brand on the map. And because early days of the German watchmaker saw it debut a large number of small-run limited editions, the variety of watches from that period is particularly interesting.

Lange 1A

The rise in interest that Lange has recently enjoyed means many of the brand’s early or unusual watches are being rediscovered. As a result, the exhibition is perfectly timed. It focuses on the two landmark models, although the line up also includes other intriguing watches like the rare solid-back Saxonia.

One of the best examples of the Lange 1 on show is the ref. 101.027X, which has a handsome blue-on-silver palette that served as the inspiration for the Lange 1 25th anniversary collection. In fact, the exhibition will have two examples of the model on show, with one of them fitted to an original “beads of rice” bracelet. Interestingly, although the ref. 101.027X was not a limited edition, it never officially made it into the catalogue, making it a model known only to insiders for a long time.

The ref. 101.027X

Also interesting, but in a more subtle and specific manner, is the Little Lange 1 in platinum, ref. 111.025. At a glance it might seem ordinary but upon closer inspection it reveals the “MADE IN GERMANY” label in sans-serif font, which is unusual since Lange is best known for its serif typefaces, which play a crucial role in the design of the Lange 1.

Another uncommon Little Lange 1 on show is the version with a blue mother-of-pearl dial that was in production for only a year or so starting from 2015.

A Little Lange 1 in platinum

The back of another early Little Lange 1, this one in yellow gold

In terms of the Datograph, the highlight is doubtlessly the ref. 403.025X “Pisa”, which combines a platinum case with an unusual silver dial. In fact, only 10 pieces were made for the Italian retailer in 2004, making it by far the smallest edition for a Datograph – and Phillips has managed to obtain two of the 10 made for the exhibition.

(Though there was an eleventh watch that was not part of the Pisa edition but almost identical; it was a one-off with the same dial but with a chronograph seconds hand in rhodium-plate instead of a blued steel.

Exhibition details

The exhibition is open to the public from March 9-14, 2022, 10:00 am-5:00 pm daily.

Phillips Perpetual
3rd Floor

30 Berkeley Square
London, W1J 6EX
United Kingdom

For more, visit Phillips.com.


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