Daniel Arsham Creates Sculptural Pocket Watch with Hublot

A vintage timepiece from the future.

An artist famous for his “eroded” Future Relic works, Daniel Arsham also occupies a prominent place in popular culture thanks to his collaborations with brands from Porsche to Dior to Pokemon. Now he brings his unique style to Hublot with the Arsham Droplet, a sleek pocket watch (or pendant watch) in titanium and sapphire crystal that transforms into a desk clock.

The Arsham Droplet reflects the recurring of past-and-future found in many of Mr Arsham’s work. “The [Droplet] looks futuristic to me… like it’s been pulled from the future,” says Mr Arsham, yet “people were last carrying pocket watch a hundred years ago”.

Initial thoughts

Having spoken to him about watches before, it is clear that Mr Arsham is a collector himself and owns watches that enthusiast would envy. This is why the Droplet is a lot more than many artist-watchmaker collaborations.

Daniel Arsham

Hublot has done a variety of artist collaborations in the past that were of varying appeal to me personally. I loved the Murakami, less so the Orlinski. The Arsham Droplet is not only appealing, but it is “surprising” as himself Mr Arsham describes it.

Not only is it surprising because it’s a pocket watch in a novel shape and material, but also because “it doesn’t contain iconic elements I’ve used in the past” says Mr Arsham.

The Droplet is not merely an “eroded” wristwatch or one dressed in Arsham colours. Instead it was conceived from the ground up, and the result is a fascinating, tactile object that is simultaneously organic and technical.

It is more artwork than timepiece, which was the goal from the conception of the project. “I’m never doing just a light touch” when working with another company, explains Mr Arsham, “I want to use their capabilities for someone I couldn’t produce on my own.”

A keen eye for detail is visible across the watch and accessories, from the links of the chains (one for the pocket and the other for the neck) to the presentation box. In fact, Mr Arsham designed the presentation box, specifying the form, material, and function.

The only element of the watch that is recognisably stock is the MECA-10 movement (although the keyless works were modified to accommodate a telescopic crown), but that’s a good thing as the calibre is Hublot’s most interesting time-only movement. At the same time, the MECA-10 is large enough it looks at home in a pocket watch case.

The only aspect of the watch I would change is the rubber “bumper” around the outline of the case. Visually the jumper is a perfect fit for the watch – Mr Arsham designed it specifically for this watch – and it is also practical as it increases grip. But I feel that rubber inserts feel out of place on a high-end watch, which would be better served by an alternative like textured ceramic for instance.

A timekeeping object

A project that took three years from concept to final product, the Arsham Droplet is essentially a titanium frame containing the movement. The lower section of the case is open worked to form a bubble pattern, while the flanks are inlaid with a rubber bumper in the artist’s signature “Arsham Green” that’s been moulded with a repeating Arsham Studio emblem.

The asymmetric form of the case is entirely ergonomic according to Mr Arsham. “The shape came from how the object would sit in the hand,” he explains, emphasising the tactile quality of the watch.

The titanium case is clad with a pair of teardrop-shaped sapphire crystals on both sides. Both crystals are thick and domed, forming a key part of the tactile quality of the case. In the early stages of the project, a cover was considered for the dial but abandoned, because it “felt too fussy or technical” according to Mr Arsham, who prefers this streamlined form.

In many ways, this looks nothing like a Hublot. Mr Arsham himself points out “this the first [Hublot] that isn’t symmetrical and orthogonal”.

But the key elements of the Hublot aesthetic have been preserved, particularly on the face. “I want to keep the iconic elements of a Hublot watch,” says Mr Arsham, so the dial of the watch is typical Hublot, with the sapphire crystal secured by six “H” head screws.

Under the crystal is the MECA-10 movement, a hand-wind calibre with a ten-day power reserve. The linear, geometric bridges of the movement were inspired by Meccano, the children’s construction toy, but here they have been customised in Arsham Green, as have the hands.

The movement is largely identical to the standard version, save for the crown. Instead of a conventional crown mounted on the case, this has a telescopic crown that sits recessed, giving the case a seamless silhouette. Operation is simple: push the crown inwards and it pops out for winding and setting.

The strap attachment is Hublot’s proprietary “one-click” quick-release mechanism that allows the chain to the removed by pressing a button. Mr Arsham pointed out the “one-click” system as one of his favourite elements of the watch, because it is intuitive and allows for instant transformation of the object.

The watch is delivered with two chains in polished titanium. A longer one that transforms the Arsham Droplet into a pendant watch, and a short one with a carabiner at the end that allows it to be worn like a traditional pocket watch.

Freed from its chains, the watch transforms into a desk clock. The “one-click” mechanism on the case locks onto a socket on a titanium base with a decorative glass orb in Arsham Green.

A vertical glass magnifying lens sits on the base in front of the watch, enlarging the dial for desktop display.

Reflecting Mr Arsham’s attention to detail, he also designed the box for the Arsham Droplet. It’s a sandblasted aluminium case that contains the watch as well as the twin chains and desk stand.


Key facts and price

Hublot Arsham Droplet 
Ref. 916.NX.5202.NK

Diameter: 73.2 mm by 52.6 mm
Height: 22.5 mm
Material: Titanium with green rubber “bumpers”
Crystal: Sapphire
Water resistance: 30 m

Movement: MECA-10
Functions: Hours, minutes, seconds and power reserve
Frequency: 21,600 beats per hour (3 Hz)
Winding: Manual-wind
Power reserve: Ten days

Strap: Chains for neck or pocket, and glass desk stand

Limited edition: 99 pieces
Availability: 
Available in Hublot boutiques and retailers
Price: US$88,000

For more information, visit Hublot.com.


 

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Seiko Introduces the King Seiko KS1969

Slim, retro, and "C-shaped".

After officially reviving the King Seiko brand in 2022, Seiko has introduced a new range of King Seiko models inspired by the vintage original from 1969. The King Seiko KS1969 features a stainless steel “C-shaped” case that’s a thin 9.9 mm high, along with a matching retro-style bracelet. It is available in four colourways, including grained purple and baby blue.

Initial thoughts

The standout feature of the KS1969 is its C-shaped case, directly inspired by that of the King Seiko 45KCM that debuted in, you guessed it, 1969. The model will be available in a variety of dial colours, including green and a striking “Edo purple”. Colours aside, the dials are straightforward, featuring applied markers and a date window at three o’clock.

Judging by the press images, the font used for the date wheel is a close match to that of the original 45KCM, which is a thoughtful touch. Attention to detail was also paid to the date wheels that are catered to the dial colour: dark for the purple and green dials, while the blue and silver dials have white wheels.

The slim, 39.4 mm case is paired with a multi-link bracelet with alternating brushed and polished links. The design is vintage inspired and evokes the popular “beads of rice” style. It has a somewhat generic “vintage” style, but the short links mean smaller-scale adjustability, enabling a good fit on most wrists.

Inside the case is the cal. 6L35. Though considered accurate and reliable, the movement lacks the technical advances, like silicon hairsprings, offered by Swiss peers in the same price segment like Longines and Tudor (or the innovative escapements found in the top-of-the-line Grand Seiko movements). That’s not a complaint but a simple fact, as most watches at this price point feature no-frills movements and compete primarily on design and external fit and finish, where the KS1969 shines.

The KS1969 is well-made, attractive, and ergonomic. The quality, particularly of the case, is Grand Seiko-like. But like other watches in the King Seiko collection, its pricing comes close to the entry-level Grand Seiko. Priced at US$3,100, the KS1969 is US$1,000 less than the base-model automatic Grand Seiko. As a result, it can be seen as either a value buy that’s almost-Grand Seiko quality for a third less than Grand Seiko, or premium-priced mid-range Seiko. 

As for the Swiss competition, the KS1969 costs about US$1,000 more than equivalent models from Longines, but here the difference is clearer given the superior dial and case of the KS1969.

Historical inspiration

It’s hard to think of a decade that made more of a mark on the watch industry than the 1960s, and a big reason for that is Seiko. While the milestone that probably comes to mind most frequently is the introduction of the Quartz Astron, the world’s first commercially available quartz watch, the brand had already been busy out-competing its Swiss peers in mechanical watchmaking.

That was thanks in part to its consolidated industrial scale and the internal rivalry it cultivated between its separate factories in Japan, which amongst other things made the competing Grand Seiko and King Seiko brands.

Nineteen sixty-nine, in particular, was a busy year, witnessing both the launch of the Astron and the cal. 6139, likely the world’s first automatic chronograph movement. But Seiko also found time to launch the King Seiko 45KCM, which directly inspired the new KS1969.

The original 1969 King Seiko 45KCM.

The KS1969 is making its debut in three standard dial colours with a finely grained finish: silver, green, and “Edo purple” that is inspired by a colour that was popular during the Edo period, which lasted from 1603 to 1868, ending just 13 years before the founding of Hattori Tokeiten, which later rebranded as Seiko.

In addition to the three dials that will be part of the regular collection, there is also a 700-piece limited edition to mark the 100th anniversary of the Seiko brand, which made its debut in 1924. The limited edition features a light blue-green dial with a textured pattern meant to evoke dragon scales; the dragon being the zodiac sign for 2024.

The “dragon scale” limited edition.

Inside the KS1969

Inside the KS1969 is the Seiko cal. 6L35, the Japanese brand’s equivalent to the ETA 2892, in other words a slim, self-winding calibre. Despite being made on the opposite side of the planet, the cal. 6L35’s diameter of 25.6 mm is identical to that of its Swiss peers, and its thickness of just 3.7 mm is a mere 0.1 mm thicker than an ETA 2892.

Introduced in 2018, the cal. 6L35 is primarily used in Seiko’s premium mid-range offerings. As a result it is better finished more finely adjusted than its more pedestrian stablemates like the cal. 6R15. In fact, a derivative of the cal. 6L35 that’s even more elaborately finished is also found in the new Credor Locomotive.


Key facts and price

Seiko King Seiko KS1969
Ref. SJE109 (silver)
Ref. SJE111 (Edo purple)
Ref. SJE113 (green)
Ref. SJE115 (blue-green)

Diameter: 39.4 m
Height: 9.9 mm
Material: Stainless steel
Crystal: Sapphire
Water resistance: 50 m 

Movement: Cal. 6L35
Functions: Hours, minutes, seconds and date
Winding: Self-winding
Frequency: 28,800 beats per hour (4 Hz)
Power reserve: 45 hours

Strap: Stainless steel bracelet

Limited edition: Regular production except for SJE115 that’s limited to 700 pieces
Availability: At Seiko boutiques and select retailers starting on July 2024
Price: US$3,100 excluding taxes

For more information, visit seikowatches.com.

This was brought to you in partnership with Seiko.


 

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