Beginning in early April, Sotheby’s spring sale season in Hong Kong also marks the auctioneer’s 50th anniversary in Asia. One of the headline sales is Important Watches I, a 210-lot sale that spans notable complications, artisanal decoration, and of course, independent watchmaking.

The indie line up includes heavy hitters from the likes of F.P. Journe, Richard Mille, and Philippe Dufour, but also a few potential value buys such as the Christophe Claret Blackjack 21. And in the mix are some surprises, like the FVF Tourbillon Superligero.

The auction takes place on April 5, 2023. Registration for bidding and the full catalogue can be accessed here.

Lot 2101: Gérald Genta Fantasy Retro Mickey Mouse in 18k white gold

Gérald Genta was the first watch brand to place cartoon character in high-end watches, well before it became a fad amongst luxury watchmakers. The Fantasy collection depicted various Disney characters, usually combined with retrograde complications. Such watches are common enough that a few appear every auction season, but almost always in steel or occasionally yellow gold.

This example, surprisingly, is entirely in 18k white gold, case and bracelet, making it very uncommon. While it will pass for steel at a distance, the heft of the case and bracelet is a giveaway. 

The case is 36 mm, compact by today’s standards but the typical size for a men’s watch in the 1990s and early 2000s. And the dial is mother of pearl – Genta was a pioneer in exotic dial materials – with Mickey Mouse enjoying a game of golf.

Like the rest of the Fantasy Retro watches, this is mechanically straightforward. It’s powered by an ETA movement with a Genta module on top. It indicates the minutes with a golf club wielded by Mickey, while hours are in a window at four o’clock.

This watch retains the original warranty card dated 2004 and presentation box. It carries an estimate of HK$80,000-120,000, or about US$10,200-15,300. 

You can find out more in the catalogue.

Lot 2144: FVF Tourbillon Superligero

The story of Franc Vila is one of failure and redemption: the Spaniard founded his namesake brand in 2005, riding the wave of demand for independent watchmaking during the period. His big and bold timepieces covered in materials like carbon fibre were perfect for the era. But like many highfliers of the period, the Franc Vila brand folded in the ensuring bust.

But Mr Vila made a comeback in 2018 with FVF, short for “Franc Villa Founder”. With FVF Mr Vila revealed a more cohesive vision and a certainly more thoughtful watch, the Tourbillon Superligero. Only a handful have been made to date, but this example has emerged at Sotheby’s.

The Tourbillon Superligero is a a distinctive watch that is all about the extensively open-worked movement that’s been constructed in in a near-symmetrical manner. It features a one-minute flying tourbillon at six o’clock, a heptagonal roller showing the day of the week at 12 o’clock, and in between the two, a spherical day and night indicator. And the calibre boasts an impressive 100-hour power reserve.

The titanium case is constructed with minimal metal: it’s essentially a case middle with tall sapphire crystals on both sides, allowing for a panoramic view of the movement. And it also ensures the watch is lightweight despite the size.

Despite the modern aesthetics, the FVF1 movement inside is decorated surprisingly well. In fact, the finishing is comparable to that of established, high-end brands like Vacheron Constantin and Chopard. This is especially evident on the “V” shaped base plate, which boasts prominent bevelling.

The FVF Tourbillon Superligero is accompanied by a carry-on suitcase and has an estimate of HK$240,000-400,000, or about US$30,600-51,000. 

You can find out more in the catalogue.

Lot 2149: Gérald Genta Success Perpetual Calendar

While Gerald Genta is best known for the Audemars Piguet Royal Oak and Patek Philippe Nautilus, the late designer was more adventurous when it came to designs for his own brand, often experimenting with shapes and materials.

But unsurprisingly, one of his bestselling creations for his namesake brand was another octagonal watch, known as the Success. Like much else he designed, the Success was inspired by his fascination with sailing and maritime exploration. Its bezel is reminiscent of a ship’s wheel, while the crown brings to mind a diving helmet.

In the context of modern design the Success is an unconventional shape and also small at just 35 mm in diameter. But it is interesting while being good value considering the materials and complication.

This example is a quintessential Success model, featuring a perpetual calendar with moon phase. Like most other Genta watches of the period, the dial was crafted from unusual materials, including lapis lazuli for the moon phase disc, mother-of-pearl for the calendar rings, and carbon fibre for the dial itself.

The case on the other hand is retro: 18k yellow gold case matched with a five-link bracelet also in yellow gold. This example features a solid case back that hides the ultra-thin F. Piguet automatic movement within.

The lot is offered without any accessories and has an estimate of HK$50,000-100,000, or about US$6,400-12,740. For more, visit the catalogue entry.

Lot 2158: Greubel Forsey Tourbillon 24 Secondes Incliné

Greubel Forsey’s Tourbillon 24 Secondes Incliné is an ingenious reinterpretation of Abraham-Louis Breguet’s invention. By inclining the tourbillon at 25°, the movement is meant to average out the effects of gravity while the watch is in an ever-changing position due to it being on the wrist.

At the time of its launch in 2007, the inclined tourbillon was a bona fide novelty. To showcase the novelty, the case has a small windows on the case band to reveal the tourbillon profile. This example dates to 2010 and features a platinum case.

Though this is a later variant of the model, it retains almost all the design elements of the original, save for some additional decorative elements. The dark grey dial has the same layout as the original version, but gains the brand’s signature “micro” relief engraving with a ring around the dial that depicts the Greubel Forsey motto.

Inside is the cal. GF01, a manual-wind movement with twin, stacked barrels that provide a healthy power reserve of 72 hours. They incorporating a decoupling mechanism that prevents them from being overwound.

Like most Greubel Forsey movements, the calibre is characterised by frosted bridges, blued screws, and jewels in gold chatons. The German silver bridges show signs of oxidisation, but fortunately the watch is being sold with a complimentary servicing by Greubel Forsey (up to a retail value of CHF10,000).

The Tourbillon 24 Secondes Incline has an estimate of HK$1.2-2 million, or about US$153,000-255,000. Find out more in the catalogue.

Lot 2162: Christophe Claret Blackjack 21

Lot 2169: Urwerk Black Cobra UR-CC1

No history of contemporary independent watchmaking is complete without Urwerk. Established by watchmaking brothers Felix and Thomas Baumgartner and designer Martin Frei in 1997, the innovative brand has always focused on inventive time displays housed in a futuristic cases that resemble spacecraft.

One of its most notable complications was the UR-CC1 King Cobra, a reinterpretation of the Patek Philippe ref. 3414 “Cobra”, a forgotten experimental designed by Geneva jeweller Gilbert Albert and constructed by watchmaker Louis Cottier. The key feature of the Cobra was its linear time displays, which was reproduced on the UR-CC1.

The UR-CC1 indicates the time with a pair of linear displays made up of retrograde cylinders for the hours and minutes.

The display is driven by a toothed segment at the end of a rack that slides up and down via a vertical triple cam. Each cam rotates the minute cylinder for one 60-minute cycle. The cylinder then jumps back to its original position courtesy of the extra-flat linear spring. This jump activates the jump of the hour cylinder, advancing it forward by one step.

Seconds are indicated by a spiral hand

The underside of the minute cylinder is visible on the back

The example on offer is the Black Cobra, a variant of the UR-CC1 with a AlTiN-coated steel case. This watch is fitted to a matching bracelet that, according to Sotheby’s, was a special order by the previous owner. It is also accompanied by its box and certificate.

Released in 2009, the UR-CC1 cost almost US$300,000, making it prohibitively expensive at the time. Now this has an estimate of HK$1-2 million, or about US$127,400-255,000. For more, visit the catalogue entry.

Lot 2177: Philippe Dufour Simplicity 34 mm

Widely considered the greatest movement finisher ever, Philippe Dufour’s most recognisable watch is the Simplicity. Much loved for its gorgeous movement decoration that has yet to be rivalled, the watch has clean, elegant lines.

This example is pink gold and 34 mm, giving it a warm, vintage feel. It has a silvered guilloche dial featuring Arabic numerals at the quarters.

Though 34 mm is small by current standards, traditionalists often seek out the Simplicity 34 mm, since it is both the size worn by Dufour himself and also the rarer of the two sizes (the other being 37 mm).

Numbered “14”, the present example was delivered in 2002, making it one of the earliest known examples from the original run of 200 watches. It includes the original certificate and wood box. The estimate is HK$4-6 million, or about US$510,000-764,400.

Full lot details here.

Lot 2180: F.P. Journe Octa Automatique Lune “France-China 50”

F.P. Journe is now as hot as an independent watchmaker can be, with early examples of his trademark complications, namely the Resonance and Tourbillon Remontoir d’Egalite, achieving record prices at auction.

But the brands still has a few rare but overlooked model, such as this Octa Automatique Lune made to commemorate the golden jubilee of diplomatic relations between France and China in 2014.

Just 50 of these were made, all featuring a dial in dark blue, an uncommon shade for F.P. Journe. And the dial gains a bit of colour from the commemorative emblem discreetly positioned next to the logo at three o’clock.

The emblem is made up of the names of both countries, each written in their respective languages, with a red box resembling a traditional seal sitting just above. The red square contains”50周年”, or “50th anniversary” in Chinese.

Housed in a 40 mm platinum case, this Octa Automatique Lune is powered by the cal. 1300.3 automatic movement found in the standard model.

This watch includes with its wooden box along with the guarantee certificate. It has an estimate of HK$800,000-1 million, or around US$102,000-153,000.

Full lot details here.

Lot 2307: Richard Mille Bonbon RM 37-01 “Cerise”

Less complication and artisanal than most of the prior picks, but certainly more whimsical than even the Genta Mickey, is the RM 37-01 “Cerise”. Part of the the Bonbon collection launched in 2019, the Cerise is typical Richard Mille – fun, loud, and expensive.

The Bonbon collection was a line of ladies’ watches centred on candy and fruit-themed motifs that was conceived to broaden the brand’s reach to include a younger, female demographic. French for “cherry”, Cerise has candies on the dial and hot pink strap.

Like other models in the Bonbon collection, the Cerise features a semi-skeletonised dial with appliqués taking the form of candies and fruits. The appliqués are naturally hand-painted in acrylic and varnished with a “powdered sugar” lacquered finish.

The Cerise is powered by the CRMA1, an in-house automatic movement, while the case is two types of carbon composite – black on the front and cherry-coloured on the back.

Accompanied by only its presentation box, this RM37-01 is numbered “17/30”. It has an estimate of HK$2.4-3.2 million, or about US$306,000-408,000.

For more, check out the catalogue.

Preview and auction details

All lots will be on show during the preview in Hong Kong during the run-up to the auction. Both the preview exhibition and sale will happen at the Hong Kong Convention and Exhibition Centre (New Wing).

Preview
April 1-4

Auction
April 5, 10:00 am

For the full catalogue, as well as viewing appointments and online bidding, visit sotheby’s.com.

This was brought to you in collaboration with Sotheby’s.

A historically important Patek Philippe Calatrava ref. 96 with full calendar and moon phase will soon be offered at Phillips, but the news isn’t so much about the watch itself but the story behind it.

While extraordinarily rare in itself, the ref. 96 quantieme lune is exceptional for its provenance: its original owner was Aisin-Gioro Puyi, the last emperor of China and heir to a 4,000-year old imperial throne. As the final ruler of the Qing Dynasty, Puyi was arguably a hapless individual overcome by circumstances and overtaken by history – a life dramatised in the Bernardo Bertolucci’s film The Last Emperor – leaving him with a mixed reputation and legacy.

The ref. 96, however, makes clear his appreciation of mechanical timepieces. Yet this long-lost imperial watch is extremely flawed on its face. But the heavily-aged dial, seemingly severely damaged, also echoes the tale of Puyi’s brief reign, a turbulent time when an empire met its end and a feudal dynasty was transformed into a modern nation.

Image – PaddleWaves

An Emperor’s timekeeper

Ascending the throne at age two in 1908, Puyi was destined for a life of absolute power. But shortly after, the child Emperor witnessed the collapse of Imperial China and his family’s four century-old dynasty in the wake of the Xinhai Revolution of 1911 that gave birth to the Republic of China.

In 1932, perhaps unwitting or naive, he became the titular ruler of Manchukuo, the puppet state of Manchuria that was controlled by Japan. Despite being a figurehead with no real power, Puyi’s dozen-year tenure as Emperor of Manchukuo ensured his historical legacy would forever be controversial.

Puyi

This ref. 96 was delivered in October 1937, meaning Puyi received it during his time as ruler of Manchukuo. The watch was certainly amongst the most expensive watches in the world at the time, making it an unsurprising timepiece for a man who no doubt still harboured imperial ambitions. The watch also reflects the fact that Puyi was the only Chinese emperor who was a watch collector in the modern sense; several of his other watches and clocks are on display in the Palace Museum in Shenyang.

Puyi’s fate after his spell as ruler of Manchukuo was ignominious for a man who once ruled China. After Japan’s defeat in 1945 and the fall of Manchukuo, Puyi was imprisoned in the Soviet Union, before eventually being repatriated back to Communist China.

The former emperor had no children and much of what he owned was dissipated as he went from one prison to another before spending his later life as a free man living in modest circumstance.

By the time he died in 1967, the ref. 96 and his other fine possessions must have been a distant memory. Like most of what he owned, the ref. 96 was lost for decades.

Lost and found

I first encountered this watch in 2019 when it was offered for sale by a dealer in Europe, having been in the same family since Puyi left a Soviet prison decades ago. The family were the descendants of a Soviet official who served as Puyi’s translator during his years in captivity.

When he left Soviet custody, Puyi gave the watch to the official, whether willingly or under duress is unknown. Alongside the watch, the official also received several of Puyi’s belongings, including a fan bearing a hand-written inscription by Puyi, books, and watercolour paintings by Puyi and his brother. (The watch has been consigned to Phillips by the individual who subsequently purchased the watch and its accompanying items, and not by the family of the Soviet official.)

The ref. 96 along with Puyi’s fan. Image – Phillips

It’s almost a century since Puyi acquired the ref. 96, so the watch bears obvious signs of wear. Fortunately, the case appears to be in unrestored condition – “unpolished” as some enthusiasts would say – and its edges remain sharp.

Then the obvious question: what happened to the dial? At first glance it appears to be extreme aging, but Puyi’s diary reveals the full story.

Image – PaddleWaves

A curious emperor

Puyi writes that when he received the watch, he was curious as to whether the dial was pure gold. He summoned an attendant and ordered him to scrape off the varnish and silver plating to reveal the base material of the dial. After the attendant had worked through the lower half of the dial, Puyi realised to his disappointment that the dial was merely brass, so he asked the attendant to stop.

While such damage to a dial would ordinarily discourage a buyer, the amusing story behind it adds a tangible and personal connection to the former emperor, a tangible connection that is missing from most “celebrity” watches, even ones with well-documented provenance.

Image – PaddleWaves

The long road to historical importance

Despite its damaged appearance, the dial has a peculiar appeal. It is instantly recognisable and radiates an enigmatic charm in person.

More broadly, this watch is the ultimate example of a historically important timepiece. The provenance adds tremendous mystique to a very rare watch. Even Paul Newman’s “Paul Newman”, John Lennon’s Patek Philippe ref. 2499, and even the Omega Speedmaster that went missing after the 1969 Moon landing cannot compare.

That’s simple due to the documented personal connection to Puyi. The watch is a vivid, physical expression of a curious man who was only emperor briefly yet never learnt to live like an ordinary person. The link between Puyi’s personality and the watch makes it incredibly special.

Image – Phillips

And the watch is important for wider cultural reasons. The fact that the former owner was Puyi instantly sets it apart from other watches owned or worn by notable historical personalities, who are mostly Western.

For centuries, practically all of the world’s best known watchmakers have come from a handful of mostly Western countries, with the most obvious being Switzerland, but also Germany, Britain, the United States.

Unsurprisingly, all of the most valuable timepieces to date have associations with the Western culture. For instance, the four-minute tourbillon pocket watch made by the A.-L. Breguet for King George III and the Rolex “Paul Newman” Daytona worn by Paul Newman himself. That will soon change with Puyi’s ref. 96 going under the hammer.

A very different 96

Putting aside its historical significance, this ref. 96 is important in itself. The watch is undoubtedly important in the history of Patek Philippe and arguably important in the wider history of watchmaking.

To start with, this ref. 96 was the first-ever serially-produced wristwatch with a complication. Prior to this, Patek Philippe already made complicated wristwatches, including perpetual calendars and split-seconds chronographs, but all were unique creations, essentially custom watches for specific individual clients. Eight examples of the ref. 96 calendar are known, with one sharing the exact same configuration as Puyi’s watch.

As for the watch itself, it is unexpectedly diminutive. The case measures about 30 mm, a size that underscores the movement’s mechanical sophistication. With neither computer-aided design nor modern production equipment, the movement is a marvel considering its size and complexity.

Crack open the case back and the impressive, old-school finishing is evident: wide Côtes de Genève on bridges that sport chamfered edges, an elegant finish on all the gears, and a barrel ratchet wheel with wolves teeth. There is no doubt that this was one of the finest examples of watchmaking of its era, a watch fit for an emperor.

Puyi’s ref. 96 will be on display at Phillips’ new office in the West Kowloon Cultural District from March 18-31. It will then go on tour around the world before being offered for sale sometime in the future.