Omega Introduces the Constellation Gents’ 41 mm with Ceramic Bezels

High-contrast elegance.

One of the longest-lived models in the Omega line up, the Constellation with its characteristic “claw” bezel made its debut in 1982 as the Constellation Manhattan. Still looking like a 1980s design many years after that, the collection was face-lifted this year and given a smart new look that retained all of the key elements but with tighter, more modern lines.

Now Omega has just taken the covers off the flagship men’s model, the Constellation Gents’ 41 mm that features an unusual combination of a metal case, polished ceramic bezel, and an integrated strap or bracelet.

Initial thoughts

Offered in a variety of striking dial and bezels combinations – with the red gold and blue ceramic being the most striking – the latest Constellation is the most noteworthy of any recent model.

Despite the number of iterations, each model has a cohesive look with all the elements complementing each other. My favourite is undoubtedly the steel version with a irregularly textured dial thats adds visual appeal and intricacy compared to its counterparts with simpler dial finishes.

Regardless of iteration, the new Constellation also has a slightly sporty look that is appealing, unlike earlier attempts at a sporty Constellations – like the chunky Constellation Double Eagle – that fell flat. Overall its a good-looking but affordable luxury-sports watch in steel And it does look much better in 18k gold, but then it costs three times as much.

Shiny ceramic

What makes them special are the polished ceramic bezels, a first for the line, which traditionally featured metal bezels. Providing a sharp contrast against the brushed case finish, the glossy ceramic transforms the watch. And the Roman numerals on the bezel are now engraved, filled with Omega’s proprietary Ceragold or Liquidmetal ceramic composites, and then polished to create a smooth, unbroken surface.

And the hallmark bezel “claws” – used to secure the sapphire crystal on the original Constellation Manhattan – are now vestigial, integrated to sit almost flush with the ceramic bezel. The result is a watch that looks a lot sleeker compared to its predecessors.

The ceramic bezel goes with a 41 mm case that is now the largest men’s Constellation, though the 39 mm gent’s model remains in the catalogue. Though the upscaled 41 mm diameter sounds big, the watch should wear small thanks to its short and angular lugs; the 39 mm model already felt a bit smaller than it is.

And the default strap for the 41 mm is rubber with an alligator top lining, although matching metal is an option (and no doubt extremely expensive for the all-gold model). Even though it costs more, I foresee the bracelet will be a popular option. Not only does it make the watch more versatile by giving it a more casual feel, but it also caters to the taste for luxury-sports watches with integrated bracelets.

Advanced internals

The new Constellation 41 mm is powered by the METAS-certified, Master Chronometer cal. 8900 in the steel models, while the gold models get the cal. 8901, which is upgraded with a solid-gold rotor and balance bridge.

Amongst the most advanced automatic movements on the market, the cal. 8900/8901 boasts most of the technical innovations developed by Omega, including the Si14 silicon hairspring, free-sprung balance wheel, and lubrication-free Co-Axial escapement with non-magnetic parts, making it impervious to magnetic fields of over 15,000 Gauss.

But it also has more tangible practical features. One is the independent hour hand that is useful when travelling since it allows for a change of time zone without affecting the prior time setting. And the cal. 8900/8901 has a power reserve of 60 hours, a slightly increase over the cal. 8800 in the Constellation 39 mm.

Key facts and price

Omega Constellation Gents’ 41 mm
Ref. (Sedna gold and blue ceramic)
Ref. (yellow gold and black ceramic)
Ref. (steel)

Diameter: 41 mm
Height: Unavailable
Material: Steel, Sedna gold, yellow gold
Crystal: Sapphire
Water resistance: 50 m

Movement: Caliber 8900/8901
Functions: Hours, minutes and seconds
Winding: Self-winding
Frequency: 25,200 beats per hour (3.5 Hz)
Power reserve: 60 hours

Strap: Alligator with rubber lining; matching metal bracelet optional

Availability: At Omega boutiques and retailers from September onwards
Price: 18,900 Swiss francs in gold; 6,000 Swiss francs in steel

For more information, visit


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In-Depth: The Tourbillon Pocket Watches of Urban Jürgensen and Derek Pratt


Originally an 18th century Danish brand, Urban Jürgensen & Sønner (UJS) was resurrected in 1981 by Peter Baumberger (1939-2010), an antique watch dealer turned watchmaker. While the brand’s best-known timepieces were elegantly-styled wristwatches with teardrop lugs, its greatest technical achievements were pocket watches, all of which were built by Derek Pratt (1938-2009), a deeply talented English watchmaker who was a contemporary of George Daniels.

As was typical of the era when pocket watches were the preeminent genre of watch collecting – and the tourbillon was the ultimate complication – Pratt’s best work for UJS were his tourbillon pocket watches. Pratt not only built the movements, but also fabricated some of the dials that were decorated in exceptional guilloche.

Peter Baumberger. Photo – Dr Helmut Crott

The oval pocket watch

The pièce de résistance in Pratt’s series of tourbillon pocket watches is no doubt the Ref. 1 “Hommage”, an oval pocket watch featuring a tourbillon with an integrated remontoir d’egalite. Writing in Derek Pratt – Watchmaker, a book dedicated to the watchmaker’s life and works, watch expert and auctioneer Dr Helmut Crott explained the Ref. 1 was originally conceived as a series of five watches for an Asian collector in the late 1980s. But after the first watch was complete, the client cancelled the rest of the order, making it a “financial disaster for Peter [Baumberger]” according to Dr Crott, , a longtime friend of both Baumberger and Pratt.

Nonetheless, two more were made, for a total of three, in platinum, yellow gold, and rose gold respectively, with the platinum example now owned by Dr Crott. Pratt made almost the all the components of the watches, including the case and crystal, with each watch taking more than 4,000 hours to finish, or about three years.

Derek Pratt working on an engine-turned dial. Photo – Timothy Treffry

Also writing in Derek Pratt – Watchmaker, fellow English watchmaker Anthony Randall wrote that the oval case was inspired by an 1822 Breguet pocket watch that was eventually owned by the pianist Arthur Rubinstein.

In the same book, longtime editor of Horological Journal Timothy Treffry further explained that Pratt was “keenly attracted to the design possibilities offered by an oval watch” because it allowed for a symmetrical, linear layout of the movement with the barrel at one end and the tourbillon at the other.

The Ref. 1 “Hommage” – the case was first made as a prototype in copper, and then silver, and finally in platinum. Photo – Dr Helmut Crott

Though it was not a UJS timepiece, the Double-Wheel Remontoir Tourbillon pocket watch of 1997 is perhaps his most important work from a technical perspective, because it perfected two inventions of Abraham-Louis Breguet, the double-wheel escapement and the tourbillon. A more famous modern-day execution of the double-wheel escapement is the George Daniels Space Traveller, which relies on twin going trains to drive the two escape wheels.

Completed in 1997 as an entry into the Prix Abraham-Louis Breguet, a watchmaking competition sponsored by the Breguet foundation to mark the 250th anniversary of A.-L. Breguet’s birth, the pocket watch was equipped with double barrels and a double remontoir, one within each escape wheel, winding and discharging alternately as the escape wheels turn in opposite directions.

Pratt’s watch did not win the Breguet prize, which instead went to Carole Forestier and her concept that would become the Ulysse Nardin Freak, but his creation is unquestionably a historically-important watch.

The Double-Wheel Remontoir Tourbillon pocket watch of 1997, with the barrel bridge marked “Invenit et Fecit, Derek Pratt 1997”. Photo – Timothy Treffry

A closeup of the double-wheel remontoir. Photo – Timothy Treffry

The single-barrel tourbillon pocket watch

But Pratt also produced tourbillon pocket watches with more traditional round cases for UJS. Though hand made, they were made in larger numbers and are arguably the quintessential UJS-Pratt timepiece.

I’ve managed to examine a few of the round-case tourbillon pocket watches, including the two pictured here, which are owned by collectors in Australia and Europe respectively. In person, these watches have an old-fashioned quality, clearly having been produced and finished in an artisanal manner that is almost nonexistent today. The watches are very much reminiscent of the finest Swiss tourbillon pocket watches of the early 20th century, with symmetrical movements and dials done in a classical yet functional manner.

A typical UJS double-barrel tourbillon pocket watch

Hand-made, blued-steel hands


A varied few

To find out more about the tourbillon pocket watches, I got in touch with Dr Crott, who took over UJS after Baumberger’s death before selling it to its current owner, former Nokia executive Søren Jenry Petersen.

According to Dr Crott, UJS did not have “an official inventory” for the tourbillon pocket watches, but the production run can be inferred from a fax Baumberger sent to a client in 1994. The fax referred to the oval pocket watch as the first one made, followed by 12 twin-barrel tourbillons, and more surprisingly, five single-barrel tourbillons. Neither Dr Crott nor myself have ever seen a one-barrel tourbillon; whether the single-barrel tourbillon was ever produced is a mystery.

The twin pivots of the mainspring arbors are visible above the brand name engraved on the barrel bridge

All of the known examples of the UJS tourbillon pocket watch have double barrels and an eminently traditional movement construction, along with a power reserve indicator at 12 o’clock on the dial. The watches are generally identical, but subtly different in the movement decoration, as well as the inclusion of a remontoir.

The finishing of the movements differ not in quality, but in style, illustrating the fact that when movements are truly hand finished by a single individual, there is a wide berth for artistic expression. For instance, the ends of the tourbillon bridge in the two examples below are finished differently, and the engraving on the regulator index varies from one to the other. Less obvious is the angle of the grain of the Cotes de Geneve; it’s steeper on one than the other.

One example, owned by a European collector

Another detail that varies: the radial graining on the crown wheel

Steeply angled grain of the stirring on the bridges

A finely frosted surface on the ends of the tourbillon bridge

Exceptional polished and bevelled edges and countersinks on the tourbillon bridge

Another example, owned by an Australian collector. Photo – the owner

With a frosted and black polished crown wheel. Photo – the owner

And black polished ends for the tourbillon bridge, along with a U-shaped grain for the stripes. Photo – the owner

But the most substantive difference is an additional complication: an unknown number of the tourbillon pocket watches were equipped with Pratt’s signature constant-force mechanism, a remontoir featuring a Reuleaux-triangle ruby roller. Integrated into the tourbillon carriage, the remontoir is relatively discreet and there are no clues on the dial if the watch has a remontoir or not.

While the remontoir-equipped version is no doubt more complex and interesting, the simpler version of the tourbillon might be the rarest. “It is not clear how many have remontoir and how many do not,” added Dr Crott, “Though I believe there are more with remontoir escapement than lever”.

The tourbillon with a conventional escapement

The escape wheel (lower right)

And a split, bimetallic balance wheel fitted to an overcoil hairspring

The tourbillon carriage with the integrated remontoir that includes a distinctive fork. Photo – Timothy Treffry

And finally, it appears that Pratt made two distinct series of tourbillon pocket watches in terms of case numbers. Detailed in the fax Dr Crott alludes to above were the cases made for the tourbillon pocket watches: two in 18k 4N pink gold, 12 in 18k 5N red gold, and two in platinum.

Based my own research, it can be discerned that the cases were produced in two batches, with each batch having its own serial number, either “3’0XX” or “19’00X”. Both batches include watches with and without remontoir.

Antiquorum sold all three examples of the latter series in 2016 – case numbers 19’001, 19’002, and 19’003 – though only watch 19’001 featured the one-second remontoir. The watch owned by the Australian collector is part of this series and does not have a remontoir.

A year later, watch 3’060 – incorporating a remontoir – sold at Sotheby’s. And the watch owned by the European collector, with tourbillon but sans remontoir, is part of the 3’oXX batch.

The numbered and hallmarked case back, this one from the 3’0XX series

The watch owned by the Australian collector that is part of the 19’00X series, but without remontoir. Photo – the owner

Note the escape wheel within the lower right of the tourbillon cage. Photo – the owner

And the skeletons

And within the series numbered “3’0XX” is yet another layer of variation. Several examples were enhanced with a beautiful skeletonised steel barrel bridge with frosted finish, a striking detail that would later be found on the Double-Wheel Remontoir Tourbillon pocket watch that Pratt entered into the Breguet contest in 1997.

The watches with open-worked movements are the most elaborate versions of the standard UJS tourbillon pocket watch. In addition to the more intricate movement, they were also fitted with engine-turned dials, a specialty of both Pratt and Baumberger.

One of these sold at Christie’s in 2008 for 315,000 Swiss francs, which is probably the all-time record price for an Urban Jurgensen or Derek Pratt watch. Numbered “01” and made in 1992, it incorporated a remontoir in the tourbillon. A similar but earlier example sold at Christie’s in 2011 for just 123,000 Swiss francs. Dating to 1987, it was numbered “3’055” and was also equipped with a remontoir.

Pocket watch no. 1, circa 1992, sold at Christie’s in 2008. Photo – Christie’s

Pocket watch case no. 3’055, circa 1987, which sold at Christie’s in 2011. Photo – Christie’s

And some grand comps

While the tourbillons are the best known, Pratt also completed a sizeable number of complicated pocket watches for UJS. After buying UJS, Baumberger came to own 90 vintage pocket watch ebauches, or movement blanks, according to Dr Crott. Most were already complicated, but Pratt added even more complications, then finished and cased them.

One such watch was sold at Phillips in 2017. A minute-repeating pocket watch made in 1894 that lost its case along the way, the original movement was based on an ebauche by famed specialist Louis-Elysée Piguet. In 1982, Pratt added a split-seconds chronograph and perpetual calendar with moon phase – and produced the hand-made guilloche dial – creating a traditional “grand complication” pocket watch in a 62 mm, yellow gold case.

The grand complication of 1982. Photo – Phillips

Movement detail of the grand complication. Photo – Phillips

Though I never had the chance to meet Derek Pratt, and only shook hands with Peter Baumberger once at a watch fair, both were by all accounts talented artisans who are still fondly remembered and respected by their peers.

Today both are only known by the most ardent fans of independent watchmaking, but their work lives on in wristwatches and most significantly, in the tourbillon pocket watches, which are elegant, impressive, and very much masterpieces of late-20th century Swiss watchmaking.


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