Founded in 2017 as the watchmaking arm of Singer Vehicle Design, the critically-acclaimed rebuilder of early 1990s Porsche 911s, Singer Reimagined specialises in chronographs powered by an ingenious Agenhor movement.
But before Singer Reimagined settled on its retro-inspired case design, it made a Track 1 prototype with an equally retro but more angular case that is going under the hammer at Phillips’ upcoming Geneva watch auction, the same that includes a pair of much-hyped F.P. Journe souscription watches.
The production version of the Track 1 has cushion-shaped, titanium case with a radial brushed finish that is very much reminiscent of sports chronographs of the 1970s that were produced by host of brands, ranging from Omega to Heuer. It also has a “bullhead” pusher layout, with the chronograph buttons on the left and right sides of the case.
More importantly, the standard Track 1 features short lugs with a narrow hood over the end of the strap, making the strap look almost integrated.
The Track 1 in 18k gold (left) and titanium
In contrast, the prototype has longer lugs with a pronounced opening for the strap. It’s still made of titanium, with a similar brushed case finish, and also evocative of the 1970s, but a different look altogether.
Like the production watch, the prototype has wide, polished bevels separating the brushed tops and sides of the cases
The prototype is fitted to a NATO-style leather strap – with matching, brushed titanium rings – that loops underneath the case, an idea that was also done away with for the production models, which have conventional two-piece straps.
Personally I am not a fan of “NATO” straps for large watches, because they increase the thickness of the watch substantially. But Singer Reimagined founder Marco Borraccino, explained “the NATO is actually quite thin; we worked it in a very subtle way” so as not to substantially change the height of the watch.
Conceived to make the chronograph the point of focus, the dial on the prototype is identical to the production watch. All three chronograph registers are concentric in the centre of the dial, recording the hours, minutes, and seconds with progressively shorter central hands. Usually, the chronograph can record 60 units on each scale – 60 hours, 60 minutes, and 60 seconds.
The time, on the other hand, is indicated by an orange pointer at six o’clock against two rotating rings on the periphery of the dial.
Agenhor’s invention
The intriguing dial is made possible by the Singer Reimagined cal. 6361, a variant of the AgenGraphe movement made by Geneva complications specialist Agenhor.
One of the most innovative chronograph movements of recent years (and also found in the recent H. Moser & Cie. Streamliner), the AgenGraphe reimagines the traditional construction of a chronograph. The mainspring and timekeeping going train are arranged in a donut-form, leaving the open centre of the movement for the chronograph mechanism, which also covers much of the back of the movement, explaining the dense mass of levers and wheels visible through the display back.
The AgenGraphe movement as seen in the 18k gold version of the Track 1
Beyond the architecture, the AgenGraphe also features numerous clever inventions in the chronograph mechanism, including diamond-coated, double-layer chronograph wheels, and a three-level “heart” for the central chronograph display.
The patented double-layer clutch wheels
And the “heart” that has one level for each chronograph hand
Auction information
The production Track 1 is priced between 45,000 and 50,000 Swiss francs depending on the edition. On the other hand, the prototype has an estimate of 20,000-40,000 francs, making it something of a bargain.
With an estimate of 20,000-40,000 Swiss francs, the Singer Reimagined Track1 prototype is lot 100 in The Geneva Watch Auction: XI, which will take place on June 27 and 28. For more on the watch, visit Phillips.com.
When Audemars Piguet launched the Code 11.59 last year, the best looking of the collection were the two watches with smoked enamel dials, which were the minute repeater and flying tourbillon. The base models, on the other hand, were plain and looked a bit flat.
But as proof that dial colours and shading are as important as design, the Code 11.59 Bolshoi Limited Edition is the three-hand base model, but with a smoked blue enamel dial – and it is a good looking watch, with the downside of a substantial price premium for the enamel dial.
Launched in November 2019 to mark the 10th anniversary of Audemars Piguet’s sponsorship of the Bolshoi Theatre in Moscow, the parent organisation of the world-famous Bolshoi Ballet, the Code 11.59 Bolshoi edition was a limited edition of 99 pieces. And it’s the only base-model Code 11.59 with an enamel (or smoked-finish) dial to date, though that might change in the future.
Initial thoughts
The Bolshoi edition is surprisingly attractive, even though only a single element has changed. Though it keeps the design exactly the same, the Bolshoi edition fixes the bland looks of the original simply but effectively with a fired enamel dial.
While the smoked finish is not new – H. Moser & Cie. does it all the time and now MB&F does too – the dial of the Bolshoi edition is fired enamel, which is doubtlessly difficult to produce and tangibly impressive.
Because everything else remains the same as the standard edition, the Bolshoi edition also has the same strengths and weaknesses, like a too-chunky case but a sharply-executed, in-house movement.
But the Bolshoi edition is too expensive compared to the standard model. The price hike for the enamel dial (and the hand-engraved rotor) is almost 55%, or just under US$15,000. Even by AP’s lofty pricing conventions that is a lot.
On the wrist
With the same case as the standard version, the Bolshoi edition looks and feels identical on the wrist. Though the watch isn’t overly large at 41 mm by 10.7 mm, it feels a bit bigger than it measures. At the same time, it is also feels solid in the hand.
The sapphire crystal is curved on two planes – something Audemars Piguet often cites as a key feature of the watch – that creates an interesting but not noteworthy optical effect. Fortunately, the crystal is coated with an antireflective coating, so the curvature doesn’t affect legibility at all.
The curve of the crystal is most obvious from a shallow angle
At arm’s length, what does stand out is the case finishing. The numerous polished bevels along the various edges mean the case catches the light at many angles, making the quality of finishing obvious. That is a rare quality in a conventionally-shaped round watch.
Simultaneously, the complicated case construction means the nooks and crannies accumulate dust and grime swiftly – which you also notice when it’s on the wrist.
Smoked and grand feu
The dial is a splendid piece of craftsmanship. It has the same look that other brands usually execute with lacquer, but instead in fired enamel.
A rich, compelling blue at the centre, the dial darks towards the edges, with an even graduation of tone around the dial. Such an effect is achieved not with darker enamel, but a slightly thicker layer of enamel at the edges.
The raised flange for the minute numerals is black lacquered, rather than enamel, but the colour matches the dial well, resulting in an almost-seamless transition from dial to flange.
Examined at up close, the surface of the dial is smooth and reveals only tiny, subtle imperfections that are inevitable in enamel, but hardly obvious here. The quality is especially obvious when compared to other similar smoked enamel dials, like on the recent Montblanc 1858 split-seconds chronograph, which has a less-pronounced graduation of colour, along with noticeable dark spots in the surface.
Add to that the applied hour markers in solid white gold, as well as the neatly-framed date, and the result is a dial that’s exceptionally well done.
It’s also worth noting that both the minute track and Audemars Piguet logo are in enamel print, doing away with a metal-deposit logo appliqué that’s a hallmark of the standard model
The date window is integrated well into the dial and not overly obtrusive
The case
As emphasised during the launch of the Code 11.59, the case is complex, finely finished, and one of the crucial elements of the Code 11.59. That is all true, but much of the case quality isn’t apparently unless examined up close.
The case is essentially a sandwich, with a round bezel and back containing an octagonal case middle. The lugs are skeletonised and attached only to the bezel; they barely touch the case back.
The construction allows for significant fine finishing of the case, including polished bevels on the inner edges of the skeletonised lugs, polished countersinks for the lugs screws (which have octagonal heads), as well as polished top and bottom edges for the octagonal case middle. And all the polished edges sit next to brushed surfaces, separated by a sharply defined border between the two.
All of that is impressive – in fact, the quality of finishing is on par with a Royal Oak – but excessive for a round case, since much of the detail will go unnoticed, for two reasons. One is the fact that the case looks like a simple round case at a glance, and also because the Code 11.59 received so much flak when it was launched. That is unfortunate.
The downside of the case construction is obvious when you examine it up close – it traps dirt easily, and is difficult to clean. Some of the dirt looks like it can only be removed by disassembling the case and tossing the parts into an ultrasonic cleaner.
The movement
From a strategic and technical perspective, the Code 11.59 was notable for being the first models to feature the latest-generation Audemars Piguet movements – the cal. 4302 for the three-hander with date, and the cal. 4400 for the chronograph.
Made on a newly-set up production line, the two movements have the same basic architecture, and will no doubt underpin the Audemars Piguet model range in time to come (while its ladies’ watch will probably rely on Vaucher movements).
The cal. 4302 with a Bolshoi-emblem rotor
The Bolshoi edition is powered by the cal. 4302, a large movement with a sophisticated construction that was no doubt conceived to be a high-end, workhorse calibre for men’s watches.
The cal. 4302 is a notably big movement, measuring 32 mm in diameter, and also complex for a three-hands-and-date set up, with a total part count of 257. Compare that to the 25.6 mm and 160-ish parts of an ETA 2892-A2, and you get an idea of the size and complexity of the cal. 4302.
Both the scale and elaborate construction can be discerned from the details of the movement, which are all typical of a movement designed for stable timekeeping.
The balance wheel is large and free-sprung, with an unusual pincer-shaped hairspring stud carrier. For stability, the balance is secured by a wide balance bridge, instead of a more conventional balance cock
To go with the large balance wheel, the movement has one barrel, but large enough to give it a 70-hour power reserve and wound by a gold rotor via reverser gears
The gears of the keyless works for winding and setting
Visually, the movement is typical of Audemars Piguet. The decoration is clean, sharp, and a mix of machine- and hand-applied finishing.
The bevelling on the bridges, for instance, is done by a CNC milling machine, with the flat, defined bevels showing faint machining marks. But the bevelling on the gold rotor is done by hand, as obvious from the domed bevels and sharp, inward corners on the inner edges of the rotor.
Another element of the decoration that stands out is the perlage on the base plate. Positioned neatly and evenly, the individual spots is unusually small and fine relative to the size of the movement, which means it takes more time to apply compared to larger spots.
The 22k gold rotor is unique to the Bolshoi edition
While the standard rotor features coat of arms of the Audemars and Piguet families, the rotor here features the Bolshoi logo with hand-engraved details and hand-finished bevelling
The gears for the winding mechanism
Concluding thoughts
Though cleanly designed, the Bolshoi edition is striking and also more modern than the versions of the Code 11.59 automatic. It is a good-looking watch from all angles, and the dial is beautifully done.
But the Bolshoi edition is extremely expensive for what it is. The extra cost of the enamel dial (and also the hand-engraved rotor) is vast, or US$14,500 to be exact. The Bolshoi edition retails for US$41,300, while the standard version costs US$26,800.
Even though the dial quality is superb, the price is difficult to justify. But word has it that Audemars Piguet will be installing smoked lacquer dials on the Code 11.59 in time to come, which means the same look as the enamel dial for much less money. That will be far easier to justify, and well worth it.
